12.28.2011

Introperspectives Preview



Another Blurb book preview.

This book reflects the first toss up in the air of some of my photographs to see how and where they will land. The book size required 76 images and the first run through my photos revealed about 4 I liked, which would have left 72 pages blank white. This seemed wasteful. So, I explored again, which was the point of the exercise anyway. The exploration revealed some good stuff that will, with hope and perseverance, provide for more clarity going forward. The book, therefore, represents a point before the beginning. And, yes I know Introperspectives isn't a real word.

(Excerpt - woohoo)
Introduction, as it were...

It's quite easy to take a photo, it is really hard to hold on to them.


The drive to take a photograph is not something I understand. Sure, I can philosophize, especially after drinking a few glasses of limoncello, but knowing or pretending to know the answer has so far not altered the drive. I will, for the moment, not worry about it.

A photo represents an experience for me. One may look into it and think it is about the objects or subjects being seen, but that's because we look at photos from above instead of from behind. A photo is me looking back at myself. It is connected to a time and a place, or maybe my mood, or something as simple as the bent of humor in my mind.

The problem in this digital age is the speed with which we can process and view a facsimile of the image on the monitor. At this point, only two real things were done - I was there and I pressed the shutter. The image does not yet really exist in any permanent, touchable, or materially crafted form. Similis vulgus, I see it, process it, get a nice feeling about it, and then go on with my life.
A while later when viewing the photo (not sure how long as time is a bit out of control at the moment) it elicits a more critical reaction. Missing are the sympathetic gray-matter synapse firings representing a more tactile reliving of the experience. The image is now only one of the one-hundred or maybe two-hundred billion photos taken on planet earth that year.

It is rather amazing the way most people view images these days. Incredible marketing has programmed the masses that it is all about them. Images are viewed with such inwardness that those that don't press an immediate Warm & Fuzzy button are cast aside without any thought or appreciation. The point of all of this is that the sheer number of images taken and this affliction of the masses somehow lowers the net worth, even in my eyes, of images that may have had some potential when taken, but not a time later. This is my problem, of course, and I do not presume to blame anyone else.

And so I make this book as an indication of some permanence in a world dominated by linear electron flow trans-matrixed into blinking walls of photons that when focused on the back of my eye, even upside down, make me think I am looking at something real. The book is minimally hand-crafted, but nonetheless, provides one something to touch, to hold in ones hands, and find a good patch of light in which to view the ink printed images.

I thank friends like Jim Cohoe, Dick Robertson, and Ben Dallas for giving me the basis to take this seriously enough to put together a collection no matter how bored I am with the lot. Going forward, I promise I will process the images during the time that they pique my interest and save them in an appropriate format so that they may be stuck into another one of these books.

SMBR

12.07.2011

Valencia - Las Fallas Photography tour



I am pleased to announce that I will be joining Edi Finamore with Spain Adventures leading a photography tour to Valencia, Spain for the Las Fallas Festival March 14th to the 21st, 2012. Photography workshops are included and the tour is for all levels.

Las Fallas is one of the most unique and exciting festivals in all of Europe. It is a spectacular celebration of local tradition which takes place in the form of an incredible street party. Enormous sculptural compositions, elaborate traditional gowns, music, fireworks and fantastic nightlife are part of the party that lasts for days. Plan to be there with us to capture it all!

It began as feast day for St. Joseph, patron saint to carpenters, and has evolved into a month long event that culminates in a five day art, food, and entertainment filled street-party celebration that ends in a frenzy of fire and fireworks.

During the year, hundreds of Valencian communities construct the colorful and artistic fallas and ninots sculptures. The sculptures are ephemeral, ornamental, and satirical symbols of humorous, social, or political comment. The very large sculptures are human, animal, or vegetable in form, portraying a critique of a local, national, or international incident, personality, or character.
On the 15th of March, the sculptures get placed around the City of Valencia and the city explodes with festivities. Each day begins with a desperta, which is the traditional firecracker wake-up call signaling the beginning of another day filled with excitement. The streets teem with colorful flowers and every food stand through-out the city beckons to you with buñuelos and rosquilletas from morning until the wee hours.

Every day there is the mascletá that occurs in the Plaza Ayuntamiento at 2pm. String-lined fireworks are ignited to thunderous rhythmic sounds emanating a primal beat felt throughout the area. An important event is the Ofrenda de Flores a la Virgen de los Desamparados, a very beautiful ceremony on March 17 and 18 that honors Valencia’s patron Virgin. Members of the Fallas arrive from around Valencia and take to the streets wearing intricately decorated costumes winding their way to the square. The flowers they carry placed at the base of the enormous statue of The Virgin and are then put into place by men who climb the structure filling her gown.

The closing ceremonial burning on the 19th, when all the fallas and ninots are reduced to ashes is known as La Crema. Beginning in the early evening, hidden holes in the statues are stuffed with fireworks. The crowds get bigger and more excited. In the streets are dancers and entertainers. The city's streetlamps are all turned off and beginning around midnight, the fallas and ninots are set on fire. An incredible barrage of fireworks is launched in to the air above the Valencia as a grand finale.

For more detailed information, please CLICK HERE to visit my website. For information on Spain Adventures, please CLICK HERE.

Cheers,
SM Boris robinson

12.06.2011

Real Photographs

My Thoughts...

Photographs represent memories. Memories of your children, of the times when you and they were young. Memories of grandparents, of parents, and special occasions. Cell-phone pictures and point & shoot camera images are for right now - you won’t have them years from now. I take pictures and print them on archival papers so they can be framed and instill into the future the history of you, your family, and your friends.

Everyone looks good when you look at the back of a small point & shoot camera, and most people look good when you look at a typical image on the computer. Capturing the true beauty and personality and making a large print of the person being photographed takes more than point & shoot luck - it takes a natural talent, and it takes training and experience. We learn our art over time with effort and a passion for perfection.

10.15.2011

Molasses Bread




Molasses Breakfast Bread
This bread is a dense dark and rich bread that is great for breakfast with lots of butter or cream cheese spread on thick toasted slices. It can be made with raisins, dates, dried apricots, or whatever you might like. It does not contain a lot of sugar and I use black strap molasses, which is not that sweet. It makes for a hearty breakfast meal that will last until the afternoon lunch.

Ingredients:
1/2 cup lukewarm water
1 tbs. sugar
2 tsp. yeast
1/2 cup warm milk
4 cups bread flour
3 to 4 oz. blackstrap molasses
1/2 tsp. salt
3/8 cup butter
1 egg
1 1/2 cup total - raisins & chopped apricots
  • In a cup, stir the sugar into lukewarm water and then sprinkle the yeast on top. Let it stand without stirring for about 8 to 10 minutes.
  • To 2 cups of flour add the salt, butter (softened), molasses, beaten egg, and the warm milk. Mix a few minutes until the mixture is smooth with few lumps. Slowly add the remaining 2 cups of flour and knead the dough on the lowest setting for about 6 to 8 minutes total. After about 3 minutes of kneading, the raisins and chopped apricots can be added.
  • The dough will be quite sticky and but should not be wet and sticking to the bowl - add a bit more flour if needed.
  • Cover the dough and let it rest for an hour. Knead gently for a minute and transfer to a 5 by 9 inch greased medium bread pan.
  • Cover with a towel and let it rise from 2 to 4 hours until it at least doubles in size. The time to rise varies with temperature and if it needs to sit for 5 hours, that is fine.
  • Bake at 375 degrees F for 35 minutes. Cool on a wire rack. You can brush the top with melted butter to soften the top crust if you like.

The bread keeps well although sometimes we cut the loaf in half and freeze it for later in the week. Regular molasses can be used but it is sweeter and with less flavor.